The neo-Andin style was only located in El Alto, Bolivia, and was invented by local architect Freddy Mamani in the 2000s. In 2002 a businessman commissioned his first order Cholet (A mixture of Berg chalet and Amerindian – Cholo– Architecture): A highly decorated, colorful facade with geometric lines that is attached to an existing building. The term “neo-Andin” was later theorized by art historian Elisabetta Andreoli, who established a connection between this aesthetics and that of the substances of the Aymaras, the indigenous Andes. Since 2002, these colorful facades have awakened the streets of El Alto, whose buildings are otherwise rather neutral, to the delight of its residents who have explained: “For me it is like a cry that says: 'Here we are! That is who we are!” And “I am an Aymara woman, proud of my culture, happy and color. Why shouldn't my home not reflect who I am?” In the Canadian media office Toronto Star.
3. Googie or American pop -euphoria
Googie is a symbol of the golden age of America and is the epitome of the American Road Movie. This movement, which is also known as Doo-Wop, Populuxe, Café-Shop Modern and Jet Age, was born in the middle of the boom in nuclear weapons and the conquest of space, which inspired its futuristic, colorful forms (as well as space in the same period). California Motels, Guest And petrol stations took the appearance of a “wonderful world”, such as the Disneyland parks that appeared at the same time. An exuberant style on the border between real and imaginary, where flying carpets, domes and stars conjure up the utopia of a happy future after the trauma of the war. The theme building at Los Angeles Airport, which causes a spaceship, is the ultimate illustration. Googie disappeared after President JF Kennedy's murder in the late 1960s.
4. Deconstructivism, turned upside down
